Galerie Jacques Barrère
France
36, rue Mazarine
75006 Paris
+32 (0)1 43 26 57 61

Far Eastern art
Located for over thirty years on Rue Mazarine, in the heart of Paris’s Left Bank and just a few steps from the Louvre, Galerie Jacques Barrère is a landmark for enthusiasts of Asian art. With a family history dating back nearly a century, the gallery embodies excellence and tradition in the field of Far Eastern art.
The story began in the early 20th century with Mr. Laden, the grandfather of Jacques Barrère, who was already importing modern Chinese ivories, jades, and silks. In the 1960s, his daughter Germaine Barrère revived the business by opening a stand at the Saint-Ouen flea market, where she quickly met with success. In 1969, Jacques Barrère took over the family business and went on to found his own gallery a few years later.
Since then, the gallery has established itself as an international reference. Numerous artworks that passed through its hands have joined the collections of renowned museums worldwide, including the Musée Guimet and the Musée Cernuschi in Paris, the Shanghai Museum, the Miho Museum in Japan, the National Museum of Canberra in Australia, and the Louvre Abu Dhabi.
With its recognized expertise and carefully curated selection of Chinese, Japanese, and Himalayan works of art, Galerie Jacques Barrère passionately continues a unique family and cultural legacy while actively contributing to the promotion and appreciation of Asian art around the world.

HEAD OF BUDDHA
HEAD OF BUDDHA
Copper alloy
Thailand
Ayutthaya period, 16th century
Dimensions : 35 x 21 x 18 cm
Provenance: Private French collection assembled between 1968 and 1972.
Acquired at Moreau-Gobard Gallery, Paris, 9th November, 1968.
This head of Buddha is distinguished for its size, the quality of its craftsmanship and the nobility of its features. At once both austere and hieratic, the face offers a look of detached serenity. The almond-shaped eyes, delicately rounded, appear half-closed as a sign of introspection. The mouth is fleshy and wide, hinting to a discreet smile alluding to Buddha’s compassion for humanity. The earlobes are elongated as a sign of wisdom. The heavy eyebrows are modelled into semi-circles and form points at the sides of the face to the temples. “three folds of beauty”. The hair is fashioned into small tight curls, mimicking the line of the eyebrows across the forehead.
Reference
A Buddha wearing a tiara and displaying similar iconographic elements is conserved at the Walters Art Gallery in Baltimore. See Hiram W. Woodward Jr., The Sacred Sculpture of Thailand, London, Thames & Hudson, 1997, p. 252.